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art and writing blog
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    June 2016     “An afterimage … is an optical illusion that refers to an image continuing to appear in one’s vision after the exposure to the original image has ceased.”1   I don’t usually mix politics and art on this website but today, before the general election this Saturday in Australia, I ask this question: what kind of country […]

    bunyanthDavid Moore (Australia 06 Apr 1927 – 23 Jan 2003) 'Migrants arriving in Sydney' 1966, printed laterMervyn Bishop. 'Prime Minister Gough Whitlam pours soil into the hands of traditional land owner Vincent Lingiari, Northern Territory' 1975Persons Of Interest - ASIO surveillance 1949 -1980. 'Author Frank Hardy in the doorway of the Building Workers Industrial Union, 535 George St, Sydney, August 1955'Lifejacket and lifebuoy from the 'MV Tampa' 2001Davila_30-webJ.W.C. Adam. 'Asylum seekers protesting against detention at Villawood Immigration Detention Centre on 22 April 2011' 2011Ben Quilty. 'Trooper M, after Afghanistan' 2012Keast Burke (New Zealand, Australia 1896 - 1974) 'Husbandry 1' c. 1940Cronulla race riots 2005bunyanthDavid Moore (Australia 06 Apr 1927 – 23 Jan 2003) 'Migrants arriving in Sydney' 1966, printed laterMervyn Bishop. 'Prime Minister Gough Whitlam pours soil into the hands of traditional land owner Vincent Lingiari, Northern Territory' 1975Persons Of Interest - ASIO surveillance 1949 -1980. 'Author Frank Hardy in the doorway of the Building Workers Industrial Union, 535 George St, Sydney, August 1955'Lifejacket and lifebuoy from the 'MV Tampa' 2001Davila_30-webJ.W.C. Adam. 'Asylum seekers protesting against detention at Villawood Immigration Detention Centre on 22 April 2011' 2011Ben Quilty. 'Trooper M, after Afghanistan' 2012Keast Burke (New Zealand, Australia 1896 - 1974) 'Husbandry 1' c. 1940Cronulla race riots 2005

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    Exhibition dates: 27th May – 18th September 2016   Social Realism I love most Japanese photography of the post-war period (1950s-1970s) and this artist’s work is no exception. What a absolute master of photography, not just of Japanese photography, he was. Direct, focused, gritty, unflinching, the work of this initiator of social realist photography lays bare […]

    bunyanthKen Domon. 'Allenamento degli allievi del corpo della Marina [Students of the Navy training]' 1936Ken Domon. 'Esercitazioni delle crocerossine [Red Cross exercises]' 1938Ken Domon. 'Esercitazioni delle crocerossine [Red Cross exercises]' 1938Ken Domon. 'Pesca all'ayu' 1936Ken Domon. 'Foto commemorativa della cerimonia di diploma del corpo della Marina [Commemorative photo of the Marine Corp graduation ceremony]' 1944Ken Domon. 'Vigile urbano a Ginza 4-chōme [Traffic policeman in Ginza 4-chōme]' 1946Ken Domon. 'Donne a passeggio [Women walking]' 1950Ken Domon. 'L'attrice Yamaguchi Yoshiko [The actress Yoshiko Yamaguchi]' 1952Ken Domon. 'Pescatrici di perle (ama san) [Pearl fisherwomen]' 1948Ken Domon. 'Sit-in studentesco a Tachikawa contro l'ampliamento della base americana [Student sit-in in Tachikawa against the expansion of US base]' 1955Ken Domon. 'Bambini che fanno roteare gli ombrelli [Kids twirling umbrellas]' c. 1937Ken Domon. 'Sorelline orfane, Rumie e Sayuri [Orphan sisters, Rumie and Sayuri]' 1959Ken Domon. 'Rumie' 1959Ken Domon. 'Lucertola [Lizard]' 1955Ken Domon. 'Pioggerella [Drizzle]' 1952 - 1954Ken Domon. 'Bagno presso il fiume davanti allo Hiroshima Dome [Bath at the river in front of the Hiroshima Dome]' 1957Ken Domon. 'La morte di Keiji [The death of Keiji]' 1957Ken Domon. 'Paziente in ospedale [Hospital patient]' 1957Ken Domon. 'Donna in cura per le lesioni da bomba atomica [Women being treated for injuries from atomic bomb]' 1957Ken Domon. 'Gemella non vedente [Blind twin (female)]' 1957Ken Domon. 'Autoritratto [Self-portrait]' 1958Ken Domon. 'Shiga Naoya (scrittore/writer)' 1951Ken Domon. 'Shiga Kiyoshi (medico ricercatore/medical researcher)' 1949Ken Domon. 'Takami Jun (scrittore/writer)' 1948Ken Domon. 'Kuga Yoshiko (attrice/actress) and Ozu Yasujirō (regista/director)' 1958Ken Domon. 'Ushi (Bue), dai dodici guardiani (jūnishinshō) del Murōji [Ushi (Ox), one of the twelve guardians (jūnishinshō) of Muroji]' 1941-1943Ken Domon. 'Hitsuji (Pecora), dai dodici guardiani (jūnishinshō) del Murōji [Hitsuji (Sheep), one of the twelve guardians (jūnishinshō) of Muroji]' 1941-1943Ken Domon. 'Ōnodera, campana e ciliegi [Onodera, bell and cherry trees]' 1977Ken Domon. 'Pagoda del Murōji con la neve [Pagoda Muroji with snow]' 1978Ken Domon. 'Buddha Shaka ligneo a figura intera presso il Mirokudō del Murōji [Buddha Shaka wooden full-length at the Mirokudō Muroji]' c. 1943bunyanthKen Domon. 'Allenamento degli allievi del corpo della Marina [Students of the Navy training]' 1936Ken Domon. 'Esercitazioni delle crocerossine [Red Cross exercises]' 1938Ken Domon. 'Esercitazioni delle crocerossine [Red Cross exercises]' 1938Ken Domon. 'Pesca all'ayu' 1936Ken Domon. 'Foto commemorativa della cerimonia di diploma del corpo della Marina [Commemorative photo of the Marine Corp graduation ceremony]' 1944Ken Domon. 'Vigile urbano a Ginza 4-chōme [Traffic policeman in Ginza 4-chōme]' 1946Ken Domon. 'Donne a passeggio [Women walking]' 1950Ken Domon. 'L'attrice Yamaguchi Yoshiko [The actress Yoshiko Yamaguchi]' 1952Ken Domon. 'Pescatrici di perle (ama san) [Pearl fisherwomen]' 1948Ken Domon. 'Sit-in studentesco a Tachikawa contro l'ampliamento della base americana [Student sit-in in Tachikawa against the expansion of US base]' 1955Ken Domon. 'Bambini che fanno roteare gli ombrelli [Kids twirling umbrellas]' c. 1937Ken Domon. 'Sorelline orfane, Rumie e Sayuri [Orphan sisters, Rumie and Sayuri]' 1959Ken Domon. 'Rumie' 1959Ken Domon. 'Lucertola [Lizard]' 1955Ken Domon. 'Pioggerella [Drizzle]' 1952 - 1954Ken Domon. 'Bagno presso il fiume davanti allo Hiroshima Dome [Bath at the river in front of the Hiroshima Dome]' 1957Ken Domon. 'La morte di Keiji [The death of Keiji]' 1957Ken Domon. 'Paziente in ospedale [Hospital patient]' 1957Ken Domon. 'Donna in cura per le lesioni da bomba atomica [Women being treated for injuries from atomic bomb]' 1957Ken Domon. 'Gemella non vedente [Blind twin (female)]' 1957Ken Domon. 'Autoritratto [Self-portrait]' 1958Ken Domon. 'Shiga Naoya (scrittore/writer)' 1951Ken Domon. 'Shiga Kiyoshi (medico ricercatore/medical researcher)' 1949Ken Domon. 'Takami Jun (scrittore/writer)' 1948Ken Domon. 'Kuga Yoshiko (attrice/actress) and Ozu Yasujirō (regista/director)' 1958Ken Domon. 'Ushi (Bue), dai dodici guardiani (jūnishinshō) del Murōji [Ushi (Ox), one of the twelve guardians (jūnishinshō) of Muroji]' 1941-1943Ken Domon. 'Hitsuji (Pecora), dai dodici guardiani (jūnishinshō) del Murōji [Hitsuji (Sheep), one of the twelve guardians (jūnishinshō) of Muroji]' 1941-1943Ken Domon. 'Ōnodera, campana e ciliegi [Onodera, bell and cherry trees]' 1977Ken Domon. 'Pagoda del Murōji con la neve [Pagoda Muroji with snow]' 1978Ken Domon. 'Buddha Shaka ligneo a figura intera presso il Mirokudō del Murōji [Buddha Shaka wooden full-length at the Mirokudō Muroji]' c. 1943

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    November 2016     I have spent hours digitally cleaning these stereocards that I borrowed from my friend Ellie Young and undertaking the research for this posting. And the hours were well worth it. These 3D photographs really give you a feeling of what it would have been like to live in Australia in the first decade […]

    bunyanthRose's Stereoscopic Views. '2nd Victorian Contingent. Horses Going Aboard.' Melbourne, Boer War, 1899-1900Rose's Stereoscopic Views. '2nd Victorian Contingent. Horses Going Aboard.' Melbourne, Boer War, 1899-1900 (detail)Columbia Stereoscopic Company. 'Royal Visit to Melbourne, May 1901'Columbia Stereoscopic Company. 'Royal Visit to Melbourne, May 1901' (detail)Columbia Stereoscopic Company. 'Royal Visit to Melbourne, May 1901' (detail)Their Royal Highnesses, the Duke and Duchess of Cornwall and York, May 1901 National Library of AustraliaThe Rose Stereographs. 'In Sydney Harbour. A view from the heights overlooking Neutral Bay' 1908The Rose Stereographs. 'In Sydney Harbour. A view from the heights overlooking Neutral Bay' 1908 (detail)The Rose Stereographs. 'Three fine U.S. battleships in Sydney Harbour, viewed from Cremorne Heights' 1908bunyanthRose's Stereoscopic Views. '2nd Victorian Contingent. Horses Going Aboard.' Melbourne, Boer War, 1899-1900Rose's Stereoscopic Views. '2nd Victorian Contingent. Horses Going Aboard.' Melbourne, Boer War, 1899-1900 (detail)Columbia Stereoscopic Company. 'Royal Visit to Melbourne, May 1901'Columbia Stereoscopic Company. 'Royal Visit to Melbourne, May 1901' (detail)Columbia Stereoscopic Company. 'Royal Visit to Melbourne, May 1901' (detail)Their Royal Highnesses, the Duke and Duchess of Cornwall and York, May 1901 National Library of AustraliaThe Rose Stereographs. 'In Sydney Harbour. A view from the heights overlooking Neutral Bay' 1908The Rose Stereographs. 'In Sydney Harbour. A view from the heights overlooking Neutral Bay' 1908 (detail)The Rose Stereographs. 'Three fine U.S. battleships in Sydney Harbour, viewed from Cremorne Heights' 1908"Hail Columbia" Australia Greets her American CousinsHarry T. Weston (publisher) 'Souvenir of the American Fleet's Visit to the Commonwealth of Australia. 1908' 1908The Rose Stereographs. 'The U.S.S. Georgia at anchor off Bradley's Head, Sydney Harbour' 1908The Rose Stereographs. 'The U.S.S. Georgia at anchor off Bradley's Head, Sydney Harbour' 1908 (detail)F.H. Boone & Co., 'Untitled [Wicker chair supplied to the American Fleet during their visit]' 1908Police Department, Inspector General's Office, Sydney "URGENT MATTER" 8th September, 1908The Rose Stereographs. 'A magnificent view of the fine battleship U.S.S. Ohio' 1908The Rose Stereographs. 'A magnificent view of the fine battleship U.S.S. Ohio' 1908 (detail)Semco Series. 'American Fleet Souvenir Post Card' (front) 1908Semco Series American Fleet Souvenir Post Card (verso) 1908C.B & Co. S. 'Australia Welcomes The American Fleet' 1908The Rose Stereographs. 'The March Past of the Navy at the Review, Centennial Park, Sydney' 1908The Rose Stereographs. 'The March Past of the Navy at the Review, Centennial Park, Sydney' 1908 (detail)The Rose Stereographs. 'New South Wales mounted infantry at the review, Centennial Park, Sydney' 1908The Rose Stereographs. 'New South Wales mounted infantry at the review, Centennial Park, Sydney' 1908 (detail)The Rose Stereographs. 'Procession of Metropolitan and Country Fire Brigades, Sydney' 1908The Rose Stereographs. 'Procession of Metropolitan and Country Fire Brigades, Sydney' 1908 (detail)The Rose Stereographs. 'Marines Marching through Martin Place' 1908The Rose Stereographs. 'Marines Marching through Martin Place, Sydney' 1908 (detail) The Great Naval Parade of American Sailors at Sydney, Australia, August 23, 1908The Rose Stereographs. 'Procession in Sydney' 1908The Rose Stereographs. 'Procession in Sydney' 1908 (detail)The Rose Stereographs. 'Children's Flag Drill' 1908The Rose Stereographs. 'Children's Flag Drill' 1908 (detail)The Rose Stereographs. 'Inside Port Phillip Heads, en route to Hobson's Bay, Victoria' 1908The Rose Stereographs. 'Inside Port Phillip Heads, en route to Hobson's Bay, Victoria' 1908 (detail)The Rose Stereographs. 'Steaming up Port Phillip Bay, in the direction of Port Melbourne' 1908The Rose Stereographs. 'Steaming up Port Phillip Bay, in the direction of Port Melbourne' 1908 (detail)'The People of the Southern Cross Offer Greetings to their Kinsmen of the Stars & Stripes' 1908Visit of the United States Fleet To Melbourne Australia, Sep 1908The Rose Stereographs. 'The two 12-inch guns, 'Ben' and 'Jim,' on the U.S. battleship Louisiana' 1908The Rose Stereographs. 'The two 12-inch guns, 'Ben' and 'Jim,' on the U.S. battleship Louisiana' 1908 (detail)The Rose Stereographs. 'Rear-Admiral Sperry at St. Kilda Pier. Inspection of Naval Brigade' 1908The Rose Stereographs. 'Rear-Admiral Sperry at St. Kilda Pier. Inspection of Naval Brigade' 1908 (detail)The Rose Stereographs. 'Military Review, Flemington' 1908The Rose Stereographs. 'Military Review, Flemington' 1908 (detail)Souvenir and Official Programme of the visit of the Great White Fleet to Victoria 1908The Rose Stereographs. 'Jack Tars at the Military Review, on the Flemington Racecourse, Melbourne' 1908The Rose Stereographs. 'Jack Tars at the Military Review, on the Flemington Racecourse, Melbourne' 1908 (detail)The Rose Stereographs. 'Jack Tars at the Military Review, on the Flemington Racecourse, Melbourne' 1908 (detail)

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    Exhibition dates: 29th May 2016 – 2nd January 2017 Curators: Sarah Greenough, senior curator, department of photographs, and Philip Brookman, consulting curator, department of photographs, both National Gallery of Art, are the exhibition curators.     The last posting of a fruitful year for Art Blart.  I wish all the readers of Art Blart a happy and […]

    bunyanthIntersections wall textEadweard Muybridge. 'Horses. Running. Phyrne L. No. 40, from The Attitudes of Animals in Motion' 1879Eadweard Muybridge. 'Internegative for Horses. Trotting. Abe Edgington. No. 28, from The Attitudes of Animals in Motion' 1878Étienne Jules Marey. 'Chronophotograph of a Man on a Bicycle' c. 1885-1890William Henry Fox Talbot. 'The Boulevards of Paris' 1843David Octavius Hill and Robert Adamson. 'Colinton Manse and weir, with part of the old mill on the right' 1843-1847Thomas Annan. 'Old Vennel, Off High Street' 1868-1871Thomas Annan. 'Old Vennel, Off High Street' 1868-1871 (detail)Alfred Stieglitz. 'Going to the Post, Morris Park' 1904Harold Eugene Edgerton. 'Wes Fesler Kicking a Football' 1934Alexey Brodovitch. 'Untitled from bunyanthIntersections wall textEadweard Muybridge. 'Horses. Running. Phyrne L. No. 40, from The Attitudes of Animals in Motion' 1879Eadweard Muybridge. 'Internegative for Horses. Trotting. Abe Edgington. No. 28, from The Attitudes of Animals in Motion' 1878Étienne Jules Marey. 'Chronophotograph of a Man on a Bicycle' c. 1885-1890William Henry Fox Talbot. 'The Boulevards of Paris' 1843David Octavius Hill and Robert Adamson. 'Colinton Manse and weir, with part of the old mill on the right' 1843-1847Thomas Annan. 'Old Vennel, Off High Street' 1868-1871Thomas Annan. 'Old Vennel, Off High Street' 1868-1871 (detail)Alfred Stieglitz. 'Going to the Post, Morris Park' 1904Harold Eugene Edgerton. 'Wes Fesler Kicking a Football' 1934Alexey Brodovitch. 'Untitled from "Ballet" series' 1938Harry Callahan. 'Detroit' 1943Harry Callahan. 'Camera Movement on Neon Lights at Night' 1946Louis Stettner. 'Times Square, New York City' 1952-1954Frank Horvat. 'Paris, Gare Saint-Lazare' 1959Roger Mayne. 'Goalie, Street Football, Brindley Road' 1956Shōmei Tōmatsu. 'Rush Hour, Tokyo' (detail) 1981Intersections wall textAlfred Stieglitz. 'From My Window at An American Place, Southwest' March 1932Alfred Stieglitz. 'From My Window at An American Place, Southwest' April 1932Alfred Stieglitz. 'Water Tower and Radio City, New York' 1933Ed Ruscha. 'Every Building on Sunset Strip' 1966Ed Ruscha. 'Every Building on Sunset Strip' 1966Ed Ruscha. 'Every Building on Sunset Strip' 1966Vito Acconci. 'Step Piece' 1970Intersections wall textAlfred Stieglitz. 'Judith Being Carted from Oaklawn to the Hill. The Way Art Moves' 1920Dan Graham. 'Homes for America' 1966-1967Larry Sultan. 'Thanksgiving Turkey' 1985Larry Sultan. 'Business Page' from the series 'Pictures from Home' 1985Shimon Attie. 'Mulackstrasse 32: Slide Projections of Former Jewish Residents and Hebrew Reading Room, 1932, Berlin' 1992Nan Goldin. 'Relapse/Detox Grid' 1998-2000Nan Goldin. 'Relapse/Detox Grid' 1998-2000 (detail)Victor Burgin. 'Watergate' 2000Intersections wall textNadar. 'Self-Portrait with Wife Ernestine in a Balloon Gondola' c. 1865Alfred Stieglitz. 'Self-portrait' 1907, printed 1930 Alfred Stieglitz. '291 - Picasso-Braque Exhibition' 1915James Van Der Zee. 'Sisters' 1926Wallace Berman. 'Silence Series #7' 1965-1968Mike and Doug Starn. 'Double Rembrandt with Steps' 1987-1991Martha Rosler. 'Cleaning the Drapes', from the series, 'House Beautiful: Bringing the War Home' 1967-1972Sally Mann. 'Self-Portrait' 1974David Levinthal. 'Untitled (from the series Hitler Moves East)' 1975Hiroshi Sugimoto. 'Oscar Wilde' 1999Hiroshi Sugimoto. 'Oscar Wilde' 1999 (detail)Vik Muniz. 'Alfred Stieglitz (from the series Pictures of Ink)' 2000Intersections wall textStanislaw Ignacy Witkiewicz. 'Self-Portrait (Collapse by the Lamp/Kolaps przy lampie)' c. 1913August Sander. 'The Bricklayer' 1929Walker Evans. 'Photographer's Display Window, Birmingham, Alabama' 1936Diane Arbus. 'Triplets in their Bedroom, N.J.,' 1963Lorna Simpson. 'Untitled (Two Necklines)' 1989Hank Willis Thomas. 'And One' 2011

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    Exhibition dates: 18th October 2016 – 15th January 2017 Curator: Georges Didi-Huberman, philosopher and art historian     soulèvement m ‎(plural soulèvements) the act of raising, the act of lifting up revolt, uprising   I believe this to be one of the most complex, original and important exhibitions of 2016. Conceptually, intellectually, ethically and artistically, the exhibition “Soulèvements / Uprisings” seems to stand […]

    bunyanthGiles Caron. 'Anticatholic protests, Londonderry, Northern Ireland' August 1969Man Ray (American, Philadelphia, Pennsylvania 1890-1976 Paris) 'Dust Breeding' 1920Hiroji Kubota. 'Black Panthers in Chicago, Illinois' 1969Francisco de Goya. 'Los Caprichos' 1799Léon Cogniet. 'Les Drapeaux' 1830Victor Hugo. 'La vague ou Ma destinée (The wave or My destiny)' 1857Man Ray. bunyanthGiles Caron. 'Anticatholic protests, Londonderry, Northern Ireland' August 1969Man Ray (American, Philadelphia, Pennsylvania 1890-1976 Paris) 'Dust Breeding' 1920Hiroji Kubota. 'Black Panthers in Chicago, Illinois' 1969Francisco de Goya. 'Los Caprichos' 1799Léon Cogniet. 'Les Drapeaux' 1830Victor Hugo. 'La vague ou Ma destinée (The wave or My destiny)' 1857Man Ray. "Sculpture mouvante" ou "La France" ("Moving Sculpture" or "France") 1920Eustachy Kossakowski. 'Le "Panoramic Sea Happening - Sea Concerto, Osieki" de Tadeusz Kantor (extrait d'une série)' 1967Hélio Oiticica and Leandro Katz. 'Parangolé - Encuentros de Pamplona' 1972Henri Michaux. 'Untitled' 1975Dennis Adams. 'Patriot' 2002Roman Signer. 'Rotes Band / Red Tape' 2005Tsubasa Kato. 'Break it before it’s broken' 2015Tsubasa Kato. 'Break it before it’s broken' 2015Mari Kourkouta. 'Remontages' 2016Mari Kourkouta. 'Remontages' 2016Gustave Courbet. 'Home en blouse debout sur une barricade (projet de frontispice pour Le Salut public)' 1848Germaine Krull. 'The Dancer Jo Mihaly, danse "Révolution"' 1925Alberto Korda. 'Don Quixote of the streetlamp, Plaza de la Revolución, Havana, Cuba' 1959Kitai Kazuo. 'Resistance' (book) 1965Wolf Vostell. 'Dutschke' 1968Art and Language. 'Shouting Men' (details) 1975Art and Language. 'Shouting Men' (details) 1975Art and Language. 'Shouting Men' (details) 1975Patrick Zachmann 'The army blocked by the crowd at the gates of the capital' 1989Annette Messager. '47 Piques (47 Pikes)' 1992Graciela Sacco. from the "Bocanada" (A breath of fresh air) series 1992-1993Raoul Hausman. 'Portrait of Herwarth Walden at Bonset' 1921John Heartfield. 'Use photography as a weapon !' 1929Federico. 'García Lorca Mierda (Shit)' 1934Réseau Buckmaster (Buckmaster Network) 'Tract clandestin (Clandestine Tract)' 1942reseau-buckmaster-tract-clandestin-1942-b-webRaymond Hains. 'OAS. Fusillez les plastiqueurs (OAS. Shoot the bombers)' 1961Sigmar Polke. 'Against the two superpowers - for a red Switzerland' (1st version) 1976Henri Michaux. 'Untitled' 1975Thibault. 'The Barricade of the Rue Saint-Maur-Popincourt before the attack by the troops of General Lamoriciere' Sunday, June 25, 1848Édouard Manet. 'Guerre civile (Civil war)' 1871André Adolphe Eugène Disdéri. 'Insurgents killed during bloody week of the Commune' 1871Allan Hughan. 'Installations de la colonie pénitentiaire (Installations of the penal colony)' May 1874Félix Vallotton. 'La Charge (The Charge)' 1893Joseph Marie Ernest Prud'Homme. 'Submission of Rabezavana and Rainibetsimisaraka' 1897Anonymous. 'The Habés send a parliamentarian to make their submission to Major Pognio' 17 March 1910José Clemente Orozco (1883-1949) 'Les Femmes des soldats (The Women Soldiers)' 1926Tina Modotti (1896-1942) 'Guitare, cartouchière et faucille (Guitar, cartridge belt and sickle)' 1st June 1929Ruth Berlau. 'Grévistes américains (American warriors)' 1941Manuel Álvarez Bravo. 'Ouvrier en grève, assassiné (Striking worker, assassinated)' 1934Inconnu 'Contestation around the construction of Narita airport' 1969Inconnu 'Contestation around the construction of Narita airport' 1969Chieh-Jen Chen. 'The Route' 2006Chieh-Jen Chen. 'The Route' 2006Denis Foyatier. 'Spartacus' 1830 Victor Hugo. 'Le Pendu (The hanged man)' 1854Voula Papaioannou 'Graffiti of prisoners on the walls of the German prison in Merlin Street, Athens' 1944Anonymous. 'Women pushed towards the gas chamber of crematorium V of Birkenau' 1944Ken Hamblin. 'Beaubien Street' 1971Joan Miró 'Prisoner's Hope, Preparatory Drawing for The Hope of the Dead Man I, II and III' 1973Eduardo Gil. 'Niños desaparecidos. Secunda Marcha de la Resistancia (Murdered children. Second Resistance March)' December 9-10 1982Francisca Benítez. 'Garde l'Est' 2005Gohar Dashti. From the series 'Today's Life and War' 2008Pedro Motta. 'Natureza das coisas #024, (The nature of things #024)' 2013Maria Kourkouta. 'Idomeni, 14 mars 2016. Frontière gréco-macédonienne, (Idomeni, March 14, 2016. Greek-Macedonian border)' 2016Maria Kourkouta. 'Idomeni, 14 mars 2016. Frontière gréco-macédonienne, (Idomeni, March 14, 2016. Greek-Macedonian border)' 2016

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    Exhibition dates: 11th June 2016 – 12th February 2017   This “seminal” body of work by Nan Goldin allegedly changed the course of photography. In my opinion, not for the better. There is little love and tenderness here, little magic or generosity of spirit. Goldin’s attitude to the world at the time seems to be […]

    bunyanthNan Goldin (American, born 1953) 'Trixie on the Cot, New York City' 1979Nan Goldin (American, born 1953) 'Buzz and Nan at the Afterhours, New York City' 1980Nan Goldin (American, born 1953) 'Nan and Dickie in the York Motel, New Jersey' 1980Nan Goldin (American, born 1953) 'Self-Portrait in Blue Bathroom, London' 1980 Nan Goldin (American, born 1953) 'Heart-Shaped Bruise, New York City' 1980Nan Goldin (American, born 1953) 'David and Butch Crying at Tin Pan Alley, New York City' 1981Nan Goldin (American, born 1953) 'Nan on Brian's Lap, Nan's Birthday, New York City' 1981Nan Goldin (American, born 1953) 'Rise and Monty Kissing, New York City' 1980Nan Goldin (American, born 1953) 'Philippe H. and Suzanne Kissing at Euthanasia, New York City' 1981Nan Goldin (American, born 1953) 'Max and Richard, New York City' 1983Nan Goldin (American, born 1953) 'Nan and Brian in Bed, New York City' 1983Nan Goldin (American, born 1953) 'Nan One Month After Being Battered' 1984Nan Goldin (American, born 1953) 'The Parents' Wedding Photo, Swampscott, Massachusetts' 1985Nan Goldin (American, born 1953) 'C.Z. and Max on the Beach, Truro, Massachusetts' 1976Nan Goldin (American, born 1953) 'The Hug, New York City' 1980Janet Stein (designer) 'Poster for 'The Ballad of Sexual Dependency', slide show by Nan Goldin, with 'Desperate Living', a film by John Waters' O.P. Screening Room, New York, March 29, 1982bunyanthNan Goldin (American, born 1953) 'Trixie on the Cot, New York City' 1979Nan Goldin (American, born 1953) 'Buzz and Nan at the Afterhours, New York City' 1980Nan Goldin (American, born 1953) 'Nan and Dickie in the York Motel, New Jersey' 1980Nan Goldin (American, born 1953) 'Self-Portrait in Blue Bathroom, London' 1980 Nan Goldin (American, born 1953) 'Heart-Shaped Bruise, New York City' 1980Nan Goldin (American, born 1953) 'David and Butch Crying at Tin Pan Alley, New York City' 1981Nan Goldin (American, born 1953) 'Nan on Brian's Lap, Nan's Birthday, New York City' 1981Nan Goldin (American, born 1953) 'Rise and Monty Kissing, New York City' 1980Nan Goldin (American, born 1953) 'Philippe H. and Suzanne Kissing at Euthanasia, New York City' 1981Nan Goldin (American, born 1953) 'Max and Richard, New York City' 1983Nan Goldin (American, born 1953) 'Nan and Brian in Bed, New York City' 1983Nan Goldin (American, born 1953) 'Nan One Month After Being Battered' 1984Nan Goldin (American, born 1953) 'The Parents' Wedding Photo, Swampscott, Massachusetts' 1985Nan Goldin (American, born 1953) 'C.Z. and Max on the Beach, Truro, Massachusetts' 1976Nan Goldin (American, born 1953) 'The Hug, New York City' 1980Janet Stein (designer) 'Poster for 'The Ballad of Sexual Dependency', slide show by Nan Goldin, with 'Desperate Living', a film by John Waters' O.P. Screening Room, New York, March 29, 1982

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    Museum Folkwang Essen exhibition dates: 9th December 2016 – 19th February 2017 C/O Berlin exhibition dates: 10th December 2016 – 12th February 2017   It’s so good to see these essential, vital, rebellious images from Germany as a counterpoint and “additional chapter to the history of West German photography of the time beyond that of the […]

    bunyanthUschi Blume. From the series 'Worauf wartest Du?' (What are you waiting for?) 1980Michael Schmidt. 'Untitled', from 'Portrait' 1983C/O Berlin Kreuzberg AmericaMichael Schmidt. 'Menschenbilder Ausschnite' 1983/97Larry Fink. 'Peter Beard and friends' 1976Ursula Kelm. 'Self portrait 4' 1983Wolfgang Eilmes. From the series 'Kreuzberg' 1979Wilmar Koenig. 'Untitled', from the series 'Portraits', 1981-1983Michael Schmidt. 'Müller-/Ecke Seestraße' 1976-1978Petra Wittmar From the series 'Medebach' 1979-83Wendelin Bottländer. 'Untitled' 1980Andreas Horlitz. 'Essen Frühling' (Essen Spring) 1981Andreas Gursky. 'Düsseldorf, Terrace' 1980Joachim Brohm. 'Revierpark Nienhausen, Gelsenkirchen' (Parking area Nienhausen, Gelsenkirchen) 1982Larry Fink New. 'York Magazine Party, New York City, October 1977'William Eggleston. 'Whitehaven, Mississippi' 1972Gosbert Adler from the series 'Ohne Titel' 1982-83William Eggleston. 'Memphis' 1970Wilmar Koenig. 'Floating Chair' 1984Larry Clark. 'Untitled' 1971'Camera Nr. 8, August 1970' 1970Gosbert Adler. 'Untitled' 1982Volker Heinze. 'Bill Eggleston' 1985Christa Mayer. 'Untitled' 1983bunyanthUschi Blume. From the series 'Worauf wartest Du?' (What are you waiting for?) 1980Michael Schmidt. 'Untitled', from 'Portrait' 1983C/O Berlin Kreuzberg AmericaMichael Schmidt. 'Menschenbilder Ausschnite' 1983/97Larry Fink. 'Peter Beard and friends' 1976Ursula Kelm. 'Self portrait 4' 1983Wolfgang Eilmes. From the series 'Kreuzberg' 1979Wilmar Koenig. 'Untitled', from the series 'Portraits', 1981-1983Michael Schmidt. 'Müller-/Ecke Seestraße' 1976-1978Petra Wittmar From the series 'Medebach' 1979-83Wendelin Bottländer. 'Untitled' 1980Andreas Horlitz. 'Essen Frühling' (Essen Spring) 1981Andreas Gursky. 'Düsseldorf, Terrace' 1980Joachim Brohm. 'Revierpark Nienhausen, Gelsenkirchen' (Parking area Nienhausen, Gelsenkirchen) 1982Larry Fink New. 'York Magazine Party, New York City, October 1977'William Eggleston. 'Whitehaven, Mississippi' 1972Gosbert Adler from the series 'Ohne Titel' 1982-83William Eggleston. 'Memphis' 1970Wilmar Koenig. 'Floating Chair' 1984Larry Clark. 'Untitled' 1971'Camera Nr. 8, August 1970' 1970Gosbert Adler. 'Untitled' 1982Volker Heinze. 'Bill Eggleston' 1985Christa Mayer. 'Untitled' 1983

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    Exhibition dates: 4th November 2016 – 26th February 2017   I seem to have a bit of a thing for film and photography at the moment! More delicious film fascination, this time for the still camera. German Expressionism, film noir, science-fiction, horror, murder and mayhem – photographers using all manner of artistic techniques to get their message […]

    bunyanthAnonymous. 'La Passion de Jeanne d'Arc' 1927Paul Ronald. Edra Gale in 'Otto e mezzo' (Edra Gale in '8½') 1963Horst von Harbou. Georg John in 'M - A City searches for a Murderer' 1931Unknown artist. 'Poster for bunyanthAnonymous. 'La Passion de Jeanne d'Arc' 1927Paul Ronald. Edra Gale in 'Otto e mezzo' (Edra Gale in '8½') 1963Horst von Harbou. Georg John in 'M - A City searches for a Murderer' 1931Unknown artist. 'Poster for "M"' 1931Anonymous. Still from 'Nosferatu, a Symphony of Horror' 1922Anonymous. Still from 'The Night of the Hunter' 1954Anonymous. Robert Mitchum in 'The Night of the Hunter' 1955The Night of the Hunter film poster 1955Anonymous. Still from the film 'Vertigo, Judy behind Madeleine' 1957/58Vertigo film poster 1957/58Bud Fraker (attributed to) Janet Leigh, Vera Miles and John Gavin in 'Psycho' 1960Karl Struss. Gloria Swanson in 'Male and Female' 1919Don English. Marlene Dietrich in 'Shanghai Express' 1932Raymond Cauchetier (French, born 1920) 'Jean Paul Belmondo & Jean Seberg, Paris, 1959' 1959Breathless film poster 1960Anonymous. Still from the film 'Breathless' 1959Georges Pierre. Delphine Seyrig in 'Last Year in Marienbad' 1961L'Année dernière à Marienbad Japanese film poster 1961Anonymous. Werner Krauss in 'The Student of Prague' 1926Anonymous. Werner Krauss in 'The Student of Prague' 1926 (detail)Anonymous. 'Berlin - Symphony of a Great City' 1927Berlin: Symphony of a Metropolis posterHorst von Harbou. Brigitte Helm in 'Metropolis' 1927Horst von Harbou. 'Metropolis' 1927Anonymous. James Stewart in 'Rear Window' 1954Anonymous. James Stewart in 'Rear Window' 1954 (detail)Anonymous. Liv Ullman in 'Persona' (detail) 1966'Persona' 1966 Swedish B1 PosterAnonymous. Bibi Andersson and Liv Ullman in 'Persona' (detail) 1966Anonymous. Werner Krauss, Conrad Veidt and Lil Dagover in 'The Cabinet of Dr. Caligari' 1919Anonymous. Werner Krauss, Conrad Veidt and Lil Dagover in 'The Cabinet of Dr. Caligari' 1919 (detail)Das Cabinet des Dr. Caligari poster (1919)Sam Shaw. Marilyn Monroe and Tom Ewell in 'The Seven Year Itch' 1954Sam Shaw. Marilyn Monroe and Tom Ewell in 'The Seven Year Itch' 1954 (detail)Georges Pierre. Anna Karina in 'Pierrot le fou' 1965Poster for La Dolce Vita (The Sweet Life) 1959Pierluigi Praturlon. Anita Ekberg as Sylvia in 'La Dolce Vita' (The Sweet Life) 1959Hans Natge Still from the film 'Faust' 1926

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    Exhibition dates: 23rd July 2016 – 5th March 2017   There’s not much to say about this exhibition from afar, except to observe it seems pretty standard fare, with no outstanding revelations or insights into the conditions of the camera’s “becoming” in photographic images or an exploration of the limits of the lens’ seeing. As the Centre […]

    bunyanthLady Hawarden. 'Clementina Maude, 5 Princes Gardens; Photographic Study' c. 1862-1863Lady Hawarden. 'Clementina Maude, 5 Princes Gardens; Photographic Study' c. 1862-1863 (detail)Philippe Halsman. 'bunyanthLady Hawarden. 'Clementina Maude, 5 Princes Gardens; Photographic Study' c. 1862-1863Lady Hawarden. 'Clementina Maude, 5 Princes Gardens; Photographic Study' c. 1862-1863 (detail)Philippe Halsman. '"Rita Hayworth," Harper's Bazaar Studio' 1943Laelia Goehr. 'Bill Brandt with his Kodak Wide-Angle Camera' 1945John French. 'John French and Daphne Abrams in a tailored suit' 1957Richard Avedon. 'Suzy Parker, dress by Nina Ricci, Champs-Elysée, Paris' 1962Richard Sadler. "Weegee the Famous" 1963Photographer unknown. 'Camera on black cloth' Date unknownTim Walker. 'Lily Cole with Giant Camera' 2004Charles Thurston. 'Thompson Venetian mirror circa 1700' 1853Eugène Atget. 'Shopfront, Quai Bourbon, Paris, France' c. 1900Pierre Jahan. 'Autoportrait à Velo ('Self-portrait on bike') ' 1935Unknown. Vernacular photograph c. 1940sElsbeth Juda. 'Mediterranean Fortnight' 1953Armet Francis. 'Self-portrait in Mirror' 1964Judy Dater. 'Imogen and Twinka at Yosemite' 1974

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    Exhibition dates: 11th January – 23rd April 2017   No more, decisive moment Following the relatively unknown photocollages of Josef Albers, a posting on one of the most famous artist books in the world, Images à la Sauvette (Images on the fly, Images on the run) – the American publishers Simon and Schuster choosing the punchier The Decisive […]

    bunyanthCover by Henri Matisse of Henri Cartier-Bresson's 'Images à la Sauvette' (Verve, 1952)Installation views of the exhibition 'Images à la Sauvette' at the Fondation Henri Cartier-Bresson, ParisInstallation views of the exhibition 'Images à la Sauvette' at the Fondation Henri Cartier-Bresson, ParisHenri Cartier-Bresson. 'Seville, Spain, 1933' from 'Images à la Sauvette' (Verve, 1952), p. 27-28Henri Cartier-Bresson. 'Tehuantepec, Mexique, 1934'Henri Cartier-Bresson. 'Boston, United States, 1947'Henri Cartier-Bresson. 'Truman Capote, New Orleans, United States, July 1946'Henri Cartier-Bresson. 'es derniers jours de Kuomintang, Shanghai, Chine, décembre 1948 - janvier 1949'Henri Cartier-Bresson. 'bunyanthCover by Henri Matisse of Henri Cartier-Bresson's 'Images à la Sauvette' (Verve, 1952)Installation views of the exhibition 'Images à la Sauvette' at the Fondation Henri Cartier-Bresson, ParisInstallation views of the exhibition 'Images à la Sauvette' at the Fondation Henri Cartier-Bresson, ParisHenri Cartier-Bresson. 'Seville, Spain, 1933' from 'Images à la Sauvette' (Verve, 1952), p. 27-28Henri Cartier-Bresson. 'Tehuantepec, Mexique, 1934'Henri Cartier-Bresson. 'Boston, United States, 1947'Henri Cartier-Bresson. 'Truman Capote, New Orleans, United States, July 1946'Henri Cartier-Bresson. 'es derniers jours de Kuomintang, Shanghai, Chine, décembre 1948 - janvier 1949'Henri Cartier-Bresson. '"Chez Gégène", Joinville-le-Pont, France, 1938'Henri Cartier-Bresson. 'Henri Matisse and his model Micaela Avogadro, Vence, France, 1944' Henri Cartier-Bresson. 'Italy, 1933' Henri Cartier-Bresson. 'Italy, 1933' (detail) Henri Cartier-Bresson. 'Italy, 1933' (detail)Henri Cartier-Bresson. 'Italy, 1933' (detail)Henri Cartier-Bresson. 'Spain and Spanish Morocco, 1933'Henri Cartier-Bresson. 'Spain and Spanish Morocco, 1933' (detail)Henri Cartier-Bresson. 'Spain and Spanish Morocco, 1933' (detail)Henri Cartier-Bresson. 'Gandhi’s funeral, Delhi, India, 1948'Henri Cartier-Bresson. 'Gandhi’s funeral, Delhi, India, 1948' (detail)